Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

A group of beautiful female vampires lure men to their estate so they can feed on their blood.

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

A young ranger in the Montana wilderness discovers the great forces of nature while learning the importance of honor, trust and integrity. Legendary veteran ranger Bill Bell educates the young man and guides him toward manhood. The year is 1919-a time when being a ranger meant more than operating expensive equipment. Forest fires were fought with guts and courage, not chemicals and airplanes. Bill Bell was the toughest ranger in an elite crew of very rugged men. A figure of heroic proportions, he was generally feared and respected by all. It was even rumored that he had at one time killed a sheep farmer, which only fueled his already enormous reputation. The young ranger does everything to remain in the good graces of Bill Bell, the senior ranger he idolizes. Their tentative rapport grows into a friendship through a hilarious and heroic rite of passage in which the younger ranger meets the test-and the woman of his dreams.

A young ranger in the Montana wilderness discovers the great forces of nature while learning the importance of honor, trust and integrity. Legendary veteran ranger Bill Bell educates the young man and guides him toward manhood. The year is 1919-a time when being a ranger meant more than operating expensive equipment. Forest fires were fought with guts and courage, not chemicals and airplanes. Bill Bell was the toughest ranger in an elite crew of very rugged men. A figure of heroic proportions, he was generally feared and respected by all. It was even rumored that he had at one time killed a sheep farmer, which only fueled his already enormous reputation. The young ranger does everything to remain in the good graces of Bill Bell, the senior ranger he idolizes. Their tentative rapport grows into a friendship through a hilarious and heroic rite of passage in which the younger ranger meets the test-and the woman of his dreams.

In this fairytale-like melodrama, Choi Kang-ju is engaged to an eligible young lady from a small southern island, Doo Rim. But, there's one problem: the first bride of the family's first son is always cursed to die.

Rookie policeman Shing (Louis Koo) grapples with right and wrong in this action-packed story about Hong Kong gangsters. Assigned to go undercover, Shing is so successful in playing the part of a gang member that he becomes right-hand man to gang leader Fei Ling (Andy Lau). Shing comes to respect Fei Ling and question his original motives, but the troubled cop must make a crucial decision before rival gangs and impatient cops move in for the kill.

$ale of the Century was an Australian game show that aired on the Nine Network from 14 July 1980 – 29 November 2001. Tony Barber hosted a game show with essentially the same format under the title Temptation from 1970 to 1976, and was also the initial host of Sale for over a decade before being replaced by Glenn Ridge in 1991. Hostesses over the years have included Victoria Nicholls, Delvene Delaney, Alyce Platt, Jo Bailey, Nicky Buckley and Karina Brown. Pete Smith was Sale's announcer for the majority of its run. Ron Neate was announcer for only the first ten episodes in 1980 before Smith took over.From 30 May 2005 – 23 January 2009, the series was revived under its original Australian title, Temptation.The Sale of the Century format has been used internationally.

An intricately put together story that brings to the screen Korea's most sensitive issues. Through the lives of various Seoulites, the film features an unfettered look into Korea's modern society by presenting them into four chapters - Moratorium, Amorality, Moral Hazard, and Y2K.